Death is Certain | video

Around a hundred pedantically ordered kitchen utensils and DIY tools lie on a table. Next to them thirty-six cherries have been placed, arranged in an exact pattern. The performer dressed in black calmly puts on a white apron, takes a cherry and removes its stalk. She selects a pack of dental floss and a roll of sticky tape. Placing both on a second table, she breaks off a long piece of floss, ties it around the cherry and sticks the other end to the corner of the table. For a short moment the cherry is left on the edge of the table and then the performer pushes it gently over the edge. The cherry's fall ends abruptly and it dangles in the air from the thread. Now it's the turn of the next cherry in the line. It is bound to a stone with the sticky tape and left to drown in a plastic cup full of water. The third suffers being quartered with white plastic hair grips. A bloodbath is left on the tablecloth. Number four is skinned, but that's not enough - a pinch of salt is strewn across its raw flesh...

One action follows the other: Blood flows, skin is ripped off, bodies explode, are squashed, electrocuted or burned. In Death is Certain Eva Meyer-Keller devises thirty-six mini scenarios of torture and execution which transform the small immaculate bodies of the fruit into figures that seem to increasingly identify themselves with human beings. Everyday household objects become agents of death and by the end the almost surgically clean table resembles the scene of a slaughter. The tableaux vivants play on the individual associations and collective memory of images from literary and film deaths as well as the mediated 'reality' of war and execution. With performative sensitivity and manual dexterity the cherries' demise become a screen the spectators project their fantasies onto. The everyday and the brutally spectacular in this way become reflections of one another. The demonstrably harmless turns into its opposite while at the same time an absurd and politically explosive comedy emerges, throwing the question of responsibility back at the audience's gaze.

https://www.centrepompidou.fr/cpv/ressource.action?param.id=FR_R-d1eb75523a83c5218bb6204cb540b989&param.idSource=FR_E-9c6727c5bd0427d7801efeb49de48

https://www.youtube.com/watch?v=pfxdB33hAS8

Credits

IDEA
Eva Meyer-Keller

WITH
Eva Meyer-Keller or Irina Müller, Hanna Sybille Müller, Christina Röfer

PRODUCTION
Eva Meyer-Keller

THANKS TO
THANKS TO Alexandra Bachzetsis, Juan Dominguez, Mette Edwardsen, Cuqui Jerez, Martin Nachbar, Rico Repotente, Vooruit (Gent), Stuk (Leuven)

PHOTO
Hervé Véronèse

Venues

DEATH IS CERTAIN

14.02.2008

dedonderdagen #15, de Singel, Antwerpen (BE)

DEATH IS CERTAIN

01.06.2007—01.07.2007

Ausstellung "Schmerz", Hamburger Bahnhof, Berliner Medizinhistorisches Museum der Charité, Berlin (DE)

DEATH IS CERTAIN

01.09.2006

Vivid, Birmingham (UK)

DEATH IS CERTAIN

01.09.2007—30.09.2007

Lucky Loft Galerie, Hamburg (DE)

DEATH IS CERTAIN

01.08.2006—30.08.2006

Dance Theatre Coalition, Salt Lake City, Utah (US)

DEATH IS CERTAIN

01.05.2006—30.05.2006

Stichting Noordkaap, Dordrecht (NL)

DEATH IS CERTAIN

01.02.2006—02.03.2006

Transmediale, Akademie der Künste, Berlin (DE)

DEATH IS CERTAIN

01.11.2005—30.11.2005

Serralves Museum of Contemporary Art, Porto (PT)

DEATH IS CERTAIN

01.09.2005

VideoDance Festival, Tessaloniki (GR)

DEATH IS CERTAIN

01.06.2005

Out-Lounge, Takatsu Building, Tokyo (JP)

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